Aniviashirt - Fuck Your Dad Bod Shirt

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For as long as I can remember, I’ve admired the Fuck Your Dad Bod Shirt but I will buy this shirt and I will love this way writers dress. Good style, it seems, by measure of the frequency with which it appears, is a trait practically essential to those who achieve prolific careers in publishing. Who would not fall as infatuated with Kathy Acker in her leathers as they would for her irreverent prose? Same for Patti Smith, so gothic and uncouth at first impression, and James Baldwin, immortalized through his essays and his clothes as enduringly debonair. I hope to stay well and be able to enjoy it. At this time in my life, as [with] all times, you have to learn that good health is the most important thing, because without it, you can’t do anything. So I hope God is good and I behave myself and I’m able to continue, because I love working and I’d like to continue working and doing things and helping people. Though particulars vary widely between personalities, most writers tend to package their iconic literary sensibility into a unique personal aesthetic. Consider Jack Kerouac—could he have written On the Road in anything less American than a gingham button-down and medium wash denim?

And would Sylvia Plath, hugely responsible for the Fuck Your Dad Bod Shirt but I will buy this shirt and I will love this popularity of modern poetry, have seduced her audiences without her mid-century sensibility, in outfits simultaneously kitsch, adorable, and impossibly chic? I suspect these icons were part of my initial attraction when pursuing my career: I like shoes and pretty dresses, and I like people that like them, too. Fashion and writing, though distinct and separate industries, often find themselves intertwined, even married. Many writers begin their careers writing for magazines, which feature glossy advertisements for designer fragrances and spreads of ready-to-wear collections. Others model, such as Arthur Miller in khakis for Gap and Joan Didion pouting in oversized sunglasses for Phoebe Philo’s Celine. Because workers are historically identified by their uniforms, it makes sense that those outside of the industry would assume that, because famous writers once dressed well, the industry pays rates that are able to sustain that. Suffice it to say: It definitely does not anymore, though at one point it did.

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